Browse through Abdellatif Laâbi’s poems and quotes. 12 poems of Abdellatif Laâbi. Still I Rise, The Road Not Taken, If You Forget Me, Dreams, Stopping By. Abdellatif Laâbi // Author, Poet // Abdellatif Laâbi is a Moroccan poet, born in in Fès, Morocco. Laâbi founded with other poets the artistic journal Souffles in. Abdellatif Laâbi is a poet, novelist, playwright, translator and political activist. He was born in Fez, Morocco in In the s, Laâbi was the founding editor.

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The walls of Fez are still standing after all. Despite his self-imposed exile, he has continued to be politically lzabi in Moroccan public life, spending significant time there each year. Ananthamurthy and the Rite of Writing U. I am a speaker of poetry and I consider labi oral dimension as fundamental. What exactly is that open window for hope? As for the cuisine, I make Moroccan food myself here, French and international as well. Also perhaps just an acquired deformation — you are always on the look-out, with a feeling of always being followed, totally alert, watching for the smallest gesture, the least word which might be a prey for the eyes and ears in the walls.

We need civil society to be engaged in that combat. In my family there is that legend, but not that legendary per se.

That gives you an idea of the limited options at the time when it came to literary reviews. And they also published in the automobile magazine of Casablanca.


Abdellatif Laabi – Wikipedia

Your typical response is that it is a complicated issue. One of the concerns of The Bottom of the Jar is a linguistic concern.

Literary theory Critics Literary Prizes. In his early poems, words had gushed from him in colorful, Rimbaud-like torrents. I completely agree with you. It seemed they were almost slaves abdeellatif our service, so that we could eat, so that we could be clothed, and so that we could go to school.

One eventually begins to spy upon oneself, one interiorises suspicion. I requested some of the rappers to read my texts, to see what it would produce.

The Abdellatif Laâbi Interview

My mother worked for us her entire life. They communicate amongst themselves very easily. Moroccan reality is an anarchic reality abdellahif every day life, but it is an anarchy abddllatif the human is also present. Because I believe that every country needs to create its own narrative that will be inscribed in the collective memory. George, The world’s embrace: And yet a part of the language is in the process of disappearing, because there is a new Darija.

I understand that well. I have from time to time reflected on how I ended up writing.

Discover new books on Goodreads. Did he fight in the Algerian war of independence? In fact, during the colonial period, there were a great many Algerians who came to Morocco because they were translators for the French colonial administration or they taught. Poetry for me is a laboratory of literature. There was a moment in the nineteenth-century when we liberated ourselves from fixed forms and from versification. It was banned inbut throughout laai short life, it opened up to cultures from other countries of the Maghreb and those of the Third World.


Even if I sometimes become disheartened, I cannot lower my arms because my word carries a certain weight in Morocco.

The Abdellatif Laâbi Interview | Quarterly Conversation

I find that in other countries, for example, in Spain or even in Germany, there is a much greater interest. That right there is the real issue. You know, because you lived in Morocco.

The political class in Morocco, as in many other countries, even in advanced democracies, has lost a great deal of credibility.

If you really want to live from your work as a writer, you must publish a novel every two years. I ahdellatif like to know if you, as a Moroccan, have found interesting insights in these texts. But for me today, the political class abdellayif it exists is no longer capable of leading the fight for genuine democracy. The ten of us lived in a small house of two rooms.

What are their dreams? It was considered as a meeting point of some poets who felt the abdel,atif of a poetic stand and revival, but which, very quickly, crystallized all Moroccan creative energies: The hope he put in the promise of such a society was effusive, insistent, and sometimes touched by a note of suppressed self-doubt. The earth opens and welcomes you Why these cries, these tears these prayers Agdellatif have they lost What are they looking for those who disturb Your new-found peace?